Romantic Conception of Authorship - 2116 Words

This paper will first discuss about biographical criticism, then followed by defining intention and how it plays a role in the Romantic conception of authorship. Lastly, this paper will analyse the challenges faced by biographical criticism from new criticism, where new criticism suggests that the intention and the personal background of the author will not influence or contribute in reading a literary work. Biographical criticism is a way of analyzing the literary work by focusing into the relationship between the author’s personal life and their literary work (Benson, 1989, p.108). As Benson (1989) articulates, biography of an author provides a vital hint in helping readers to understand the philosophy behind an author’s work (p.108). In order for the reader to understand the philosophy behind an author’s work, readers are required to have a certain understanding of the author’s intention, cultural background as well as the personal life of the author. This is because of the assumption that when an author writes, he or she has a more complete understanding of the text itself. Therefore, the author is the key to understand his or her literary work in biographical criticism. Biographical criticism uses Romantic’s author as a center to study literary work as they provided a useful context for studies. The poetic movement of Romanticism occurred during the late 18th century of Western Europe (Stevens, 2004, p.76). Romanticism emphasis on â€Å"emotion, imagination,Show MoreRelatedIn What Ways Does Frankenstein Complicate the Romanticist Conceptions of Creativity and Individualism? Make Reference to Frankenstein and at Least One Other Romanticist Text.1884 Words   |  8 PagesIn what ways does Frankenstein complicate the Romanticist conceptions of creativity and individualism? Make reference to Frankenstein and at least one other Romanticist text. Mary Shelley’s novel, Frankenstein, complies with all the fundamental principles associated with Romanticism; use of the supernatural and sublime, especially with regards for nature, thus leading to pantheism, compassion and a sense of morality towards humankind, individual freedom and rebellion against contextual societalRead MorePhaedra as an Example of Enlightenment Values802 Words   |  4 PagesPhaedra, originally part of the large body of Greek mythological works, has been adapted, modified and presented in new contexts in recent centuries. For example, following the original conception of this tragedy by Euripides, versions of it have appeared in Latin, Italian, French, Spanish, etc through the authorship of such great writers as Frencesco Bozza, Jean Racine, Miguel de Unamuno, etc. Eugene O’Neill’s incorporation of it as a subplot in his ‘Desire Under the Elms’ testify to the everlastingRead MoreEssay on The Romantic Notion of a Film Direc tor 2217 Words   |  9 PagesThe intention of this essay is to discuss the romantic notion of a film director who has etched their own cinematic vision into the body of their film work, and whether the theory and practice is dead and an infringement of the spectator’s imagination and is it the spectator who finds meaning in the film. I will be closely looking at critical material, primarily Andrà © Bazin and Roland Barthes and applying them to several case study films directed by Christopher Nolan including The Following (1998)Read MoreMovie Review : The Silent Period Versus The Sound Era Essay2228 Words   |  9 Pagesfrom the slapstick genre coinciding with the development of sound. I also consulted the Sturges work, mostly Twentieth Century – to show the changing roles of authorship in the rapidly changing film industry. From the beginning, screen comedy relied on fast action and physical stunts, using the genre to define a new, theatrical conception of comedy. Exploring the human condition, comedy perhaps also shed the most insight and social commentary of their times, as it was one of the few genres ofRead MoreThe Sonnet And Early Modern Literature3380 Words   |  14 PagesTherefore, reality remains greatly significant when we think about perfection, nothing is perfect in this world but rather we are faced with the concept that everything is subjected to the inevitable notion of imperfection in some way or another. The Romantic view of poetry was that it contained the expression of an inspired soul, and of the poet, that he was the seer; the words of the poet were truth itself. It is a short step from here to the belief, voiced by Edward Dowden in 1875, that In these poemsRead MoreA Brief Biography of Lord Byron Essay2200 Words   |  9 Pagesstrike deeper into the hearts of people than any other intellectual creation of man. In fact, many of the most compelling works of literature come from George Gordon Byron (The sixth Lord Byron) , who is considered one of the most instrumental Romantic Writers of all time and in his era was incredibly renowned for his dramatic, lyrical, and narrative works. He is famous for writing eight diverse plays, despite the the fact they were not designed for stage, on very speculative and historicalRead MoreEssay on Gender Inequality in the Song of Songs5212 Words   |  21 Pagesroles in romantic relationships, if one looks to stereotypes of womanhood in M edieval Europe, the Victorian Era, or the 1950s, for example, to define traditional. HISTORICAL BACKGROUND If we are to look at the Song of Songs as a document or documents that hold/s cultural or gender cues, it is useful to approach the work with some historical understanding about it. This is especially true because there has been and still is so much disagreement about the Songs origin, authorship, purpose--andRead More Comparing the Women in Dubliners, A Portrait of the Artist as a Young Man, and Ulysses3142 Words   |  13 Pagesmore so than in the rest of his work. The self-consciousness emerges as an awareness of both genre and linguistic expectations. contrasting highly self-conscious, isolated literary men (or men with literary aspirations) with women who follow more romantic models, even stereotypes. In Dubliners, Joyce utilizes a clichà ©d story of doomed love ending in death-physical or spiritual-in A Painful Case and The Dead. The former holds far more to these conventions and can be read as a precursor to theRead MoreRosalind Krauss - Photographys Discursive Spaces9 350 Words   |  38 Pagesview rather than landscape as their descriptive category. Further, view addresses a notion of authorship in which the natural phenomenon, the point of interest, rises up to confront the viewer, seemingly without the mediation of an individual recorder or artist, leaving authorship of the views to their publishers, rather than to the operators (as they were called) who took the pictures. Thus, authorship is characteristically made a function of publication, with copyright held by the various companiesRead MoreHermeneutics3982 Words   |  16 Pagesgreat deal of attention, has also had an impact on the development of modern hermeneutics. Heidegger, however, was mainly interested in Aquinass notion of Being, and not in his engagement with specifically hermeneutic issues such as the proper authorship of certain pseudo-Aristotelian texts. Presupposing the relative unity of an authors work, Aquinas questions the authenticity of these texts by comparing them to the existing Aristotelian corpus, thus anticipating a critical-philological procedure